Do Not Disturb on the Apple Watch

Do Not Disturb is one of the best features of iOS. I’ve used it on the iPhone every day since its introduction in 2012.

It means that notifications - email alerts, text messages, advertising spam - arrive on your phone but there’s no sound or vibration. Perfect for light sleepers like me who were previously jolted awake by a buzzing phone on the bedside table.

Do Not Disturb is also available on the Apple Watch. Rene Ritchie of iMore has even written a post on how to use it, in which he describes the feature:

The idea of Do Not Disturb, as the name suggests, is to keep your Apple Watch collecting notifications without actually notifying you. That might sound strange, but if you’re asleep, in a meeting, at the movies, or otherwise at a time and place where you don’t want noise or haptics to bother you, but you don’t want a list of everything you might have missed in the meantime, Do Not Disturb will do exactly that.

Except it doesn’t do that at all. In fact, if you get a notification while it’s turned on, it never makes it to the watch.

So, go to bed, turn on Do Not Disturb on the watch, get three messages overnight, look at your watch and… nothing. No notifications. You have to go to the phone to see that you’ve got messages waiting.

I assumed this was a bug of some sort but Apple’s support pages are explicit:

When your Apple Watch locks or you turn on Do Not Disturb, your notifications go to your iPhone instead of your watch.

I find this inexplicable. Why not just mirror the iPhone behaviour and have notifications silently and stealthily accrue on the watch? Notifications are the killer feature on the watch for me but with DND switched on, the watch loses the functionality entirely.

The Very Best Things I Read in 2015

When the kids go to bed of an evening - oh what a glorious daily relief that is - I read a lot, almost exclusively longform magazine and newspaper articles.

Here’s my pick of the best stuff I got through in the last year. I’ve tried to be really picky.

The Secret Effort to Save the ISIS Hostages by Lawrence Wright.

If you only read one thing off this list, it should probably be this. It’s the heartbreaking account of the parents whose children were held hostage, and in most cases beheaded, by ISIS. The families couldn’t have trusted anyone better than Larry Wright to do justice to their story.

The next day, the Foleys got a call from the President. He was vacationing on Martha’s Vineyard. Diane remarked that Jim had campaigned for Obama. “He expected you to come get him,” she said.

“Well, we tried,” Obama replied. The President was sharing a secret: the U.S. military had launched a raid to rescue the hostages the previous month, on July 4th. The F.B.I. had finally been able to interview two of the freed journalists, who provided detailed descriptions of the industrial building where they and twenty-one other foreigners had been imprisoned. U.S. officials determined that the building was outside Raqqa—now the capital of the Islamic State. Evidently, the rescue team had arrived three days too late. There was a firefight, in which two ISIS members were killed and an American soldier was shot in the leg. But it was all for naught: no prisoners remained at the facility.

Why Drivers in China Intentionally Kill the Pedestrians They Hit by Geoffrey Sant.

I never do this, but when I read the opening paragraph of this article I had to read it again, aloud, to the person next to me, so shocking was its content. Here it is:

In April a BMW racing through a fruit market in Foshan in China’s Guangdong province knocked down a 2-year-old girl and rolled over her head. As the girl’s grandmother shouted, “Stop! You’ve hit a child!” the BMW’s driver paused, then switched into reverse and backed up over the girl. The woman at the wheel drove forward once more, crushing the girl for a third time. When she finally got out from the BMW, the unlicensed driver immediately offered the horrified family a deal: “Don’t say that I was driving the car,” she said. “Say it was my husband. We can give you money.”

If that doesn’t grab you by the bollocks, then me and you wouldn’t get on. Just an unbelievable story of inhumanity and perverse incentives.

Where the Bodies are Buried by Patrick Radden Keefe

Keefe had an astonishing year - prolific and brilliant. This - the first of three of his articles in this list - is probably the best. Full of suspense, drama, dread and melancholy it investigates Gerry Adam’s role in the violence of the IRA.

The I.R.A. secretly sentenced Lynskey to death, and Price was told to drive him across the border to his execution. She picked him up at his sister’s house, on the pretext that he was being called to a meeting in the Republic. Lynskey walked out with a little overnight bag, as though he were leaving for a weekend in the country. As they drove south in silence, Price realized that Lynskey knew where they were going. He was a large man: he could have overpowered her. Instead, he sat there, meekly, with his bag in his lap. “She wanted him to get up and escape,” McIntyre recalled. When she handed him over, in County Monaghan, “Lynskey hugged her and told her not to worry.” His body has never been recovered.

The Plan by Jack Handey.

This 2008 piece is that rarest thing: a ‘funny’ New Yorker article that’s genuinely funny. Just when you thought it would never happen.

Noel Gallagher’s Esquire Interview by Alex Bilmes.

If I could meet anyone in the world, it might be Noel Gallagher. He’s written the soundtrack to many of the best moments of my life and he largely manages to navigate the line between being interesting and being an obnoxious dick. This interview is uproarious and profane in all the best ways.

The Strange Case of Anna Stubblefield by Daniel Engber.

You won’t read another story like this any time soon. Captivating, it’s got good old fashioned prurient appeal but also leaves you with serious questions about love, consent and hope.

The Lawyer Who Defended Dzhokhar Tsarnaev by Patrick Radden Keefe.

I loved this profile of Judy Clarke, a lawyer who defends those accused of the most heinous crimes. Specifically, she tries to prevent them being sentenced to death. What stuck with me was the astonishing efforts Clarke goes to to build a bond with her clients and the tactics she employs to try and humanise them before the jury.

The Killing of Osama bin Laden by Seymour Hersh.

Even if this turns out to be utter bullshit, it’s a ripping yarn. There is much to distrust about the official account(s) of bin Laden’s death and Hersh puts forward an alternative history, equally questionable in some respects but expertly told.

This spring I contacted Durrani and told him in detail what I had learned about the bin Laden assault from American sources: that bin Laden had been a prisoner of the ISI at the Abbottabad compound since 2006; that Kayani and Pasha knew of the raid in advance and had made sure that the two helicopters delivering the Seals to Abbottabad could cross Pakistani airspace without triggering any alarms; that the CIA did not learn of bin Laden’s whereabouts by tracking his couriers, as the White House has claimed since May 2011, but from a former senior Pakistani intelligence officer who betrayed the secret in return for much of the $25 million reward offered by the US, and that, while Obama did order the raid and the Seal team did carry it out, many other aspects of the administration’s account were false.

The Old House at Home by Joseph Mitchell.

I’ve been meaning to read this classic for years and eventually got round to it. The subject matter - a New York bar, its owner and patrons - has little appeal on paper but this is a masterclass of character and evocation.

Solving the Mystery of the Lockerbie Bombing by Patrick Radden Keefe.

One brother’s efforts to uncover the real story behind the bombing of a passenger flight over Lockerbie, Scotland in 1988. There’s an urgency and an immediacy to the story that comes from it being written almost in real time, racing against the passage of time in the hope of catching those responsible before it’s too late.

When terrorists strike today, they often claim credit on social media. But Lockerbie, Dornstein told me recently, was a “murder mystery.” Flight 103 had left London for New York on December 21st, with David assigned to Row 40 of the economy section. After the plane ascended to thirty thousand feet, an electronic timer activated an explosive device hidden inside a Toshiba radio in the luggage hold, and a lump of Semtex detonated, shearing open the fuselage. The plane broke apart in midair, six miles above the earth. Many of the victims remained alive until the moment they hit the ground. But who built the bomb? Who placed it in the radio? Who put it on the plane?

Talking Podcasts: Olivier Lacombe

In this occasional series I ask people about their podcast listening habits. Previously, David Sparks, Daniel Jalkut and Michael Rockwell have been kind enough to share their thoughts.

Next up is Olivier Lacombe.

Hi Olivier, tell me some words about yourself.

I’m a corporate pilot living in Montréal, Canada. I also fly a Harvard Mk.4 in my days off.  My interests tend to be around aviation, military stuff and history.  Tech is cool, I see is as a tool.  I’m @comiquaze on Twitter, you can see my pictures on Flickr and my videos on YouTube.

Which podcasts are you currently subscribed to and which are your favourites?

I subscribe to both music and talk podcasts, so I will break them down (yes, it’s a bit heavy on British stuff).

Music podcasts (in order of preference): 

Talk (it is harder to rank them since the mix is so eclectic, but still):

How often does this lineup change?

The lineup will change when I get fed up of or bored with a host. Some podcasts I endured even when the production quality was low since they were so amazing.

What attracts you to new podcasts?

I will discover new podcasts through Twitter or from recommendation of hosts. I’m kinda alone in my podcast bubble, not a lot of my friends and relatives are into them.

What devices and apps do you use to listen to podcasts?

I mainly use my iPhone 6 to listen to podcasts, normally through my car’s Bluetooth. My app of choice is Pocket Casts. I also paid to have their web player, and use that when in a hotel room. At home, I’ll pipe the music podcasts through an Apple TV connected to my home theatre receiver.

Are there certain people you go out of your way to listen to if they guest on other shows? 

I will go out and listen to Mike Duncan when he’s on some other show.

Podcast adverts - listen or skip?

I listen to them when it’s a new product. Sometimes you get sucked into an ad, not even knowing realising it is one when Roman Mars is doing the talking.

If you were so empowered, which show would you bring out of retirement?

I would probably make The Menu Bar alive again, or make Armin van Buuren make his 2 hour radio show available via podcast.

Thanks to Olivier for talking podcasts with me.

Samantha Bielefeld is Victor Johnson: The Story

Picayune is the word that best describes most of what passes for drama in the world of tech bloggers. Maybe someone reviewed too many headphones or Apple made a mouse that’s ugly when you’re charging it.

That’s why this week’s brouhaha - with genuine fraud and a real life sociopath to accompany the usual pious carping - is noteworthy.

I’m referring to the Samantha Bielefeld affair in which a guy called Victor Johnson pretended to be a female blogger (Samantha), attracted considerable attention and claimed to be the subject of sexist abuse before being unmasked as a fraudster.

But that summary doesn’t do it full justice. Part of the reason I wanted to write this post is that it is a drama that has mainly played out in subtweets and disparate blog posts (and, no doubt, numerous Slack channels that most of us aren’t privy to). So there’s been understandable frustration from some people that they are being asked to make consequential calls on issues as sensitive as someone’s gender or their trustworthiness with scant information to go on.

So primarily I want this post to be an explainer of what we know so far. This is by no means comprehensive - the saga gets ever more complicated the more you delve into it and I’m largely relying on piecing together the same fragments of information as everyone else.

I have followed it from the start (or at least from the point it got interesting). In fact, there’s a case to be made that this is my fault to some extent. But we’ll come on to that.

Here’s the potted history as I can tell. If anyone wants to fill in any gaps or correct any mistakes, get in touch.

In August this year, someone going by the name of Samantha Bielefeld opened a twitter account.

Later that month, John Gruber posted this teaser:

Come mid-September, Samantha decided it was time to launch a blog. Her opening post lamented the lack of female voices in tech coverage and explained that she aimed to help redress the balance.

Two days later she posted a vile email she had received from a Victor Johnson advising her to kill herself. Just the sort of brainless misogyny that some women on the internet have to deal with on a regular basis. Cue understandable anger and support.

She continued to post over the coming month, slagging off Nilay Patel and setting up a Teespring campaign for Breast Cancer Awareness Month.

Then came Overcast 2.0. (Weird isn’t it that this story hinges on an update to a podcast client, but there it is.)

And this is where I come in. Now I’m conscious that this next bit might seem a bit self-serving but it’s relevant.

October 9th - Marco Arment released Overcast 2.0. It was free and people could support development by becoming patrons.

Over on Samantha’s site she was fairly effusive about the app and the business model:

I like the direction Marco is taking the app with allowing people to become patrons. I want to see the app being constantly reconsidered for years to come, and if it can generate enough income for Marco to dedicate his time to it, everyone’s experience with listening to podcasts will be better off.

October 13th - I, on the other hand, had concerns. What effect would the new pricing model have on competitors? After all, Marco had seemed keen to support podcast apps in general, not just his own. So I wrote it up, posted it here on the site and emailed the hosts of ATP with a link in the hope they would discuss the questions it raised on the show.

Later the same day Marco responded, linking to my post and making the point, inter alia, that he wasn’t “doing anything that other developers can’t do”.

I found that disingenuous and generally thought he’d sidestepped the issues I raised, so I wrote a response.

So that’s all on October 13th, ok. I’m labouring this timeline but it’s important.

October 14th - Samantha Bielefeld posted the perfectly-titled Elephant in the Room in which she questioned whether patronage really was viable for other developers. It immediately garnered considerable attention, with 27,000 unique visitors in 14 hours, according to Bielefeld.

The firestorm over the post started during the night for me. When I read Samantha’s post, similar in many ways to mine but with no link or reference to either of my posts, I emailed her to bring them to her attention.

She sent me a message saying: “I read your two pieces this morning and it prompted my idea to write one of my own.”

What happened since is a bit like a Rashomon film; it probably depends which viewpoint you take as to what you choose to highlight. I’ll try and hew pretty closely to the key facts.

Bielefeld quickly attracted both support and opposition. John C. Welch wrote a lacerating post on Medium which, as well as setting out to settle some personal scores, sought to highlight some of the patronising, negative responses Samantha’s post elicited.

Pressure grew on Bielefeld, who admitted using a pseudonym, to reveal her true identity. Some of that was clearly nefarious but there were hints from various people friendly to Marco that there was something askew with the situation, that this was not just someone who wanted to keep their name quiet for work reasons.

November 16th - Samantha launched paid memberships on her site. (Not to be confused with patronage of course because she was going to throw some extra writing your way for your monthly stipend). For me, this is one of the most egregious aspects of this story. Not content with lying to people and attacking others under false pretences, Samantha began conning people out of money.

As I write, in fact, she is still conning people out of money: memberships are still live and she is still refusing to admit her falsehoods. She has, however, promised to issue refunds for those that want one.

16th November - the same day, Brent Simmons puts out a call for female bloggers to be listed on his site. Various people suggest Samantha but she remains tellingly absent. Really, this was the moment people - me included - should have realised the truth. Brent is close to the Grubers but a truly independent voice, the meaning behind his post could only have been clearer if it had been titled: ‘Samantha Bielefeld Is A Man’.

21 November - On Twitter, Samantha posts John Gruber’s phone number (since deleted) with the last three digits replaced with XX. (People have asked how Victor got Gruber’s number. John sent it to him) Righteous anger ensued, not least from his wife. She replies to Samantha with:

Victor Johnxxx

Yep, that’s you.

So the accusation was finally public:

And remember Gruber’s tweet back in August about a masquerade twitter account? Well here was the kicker:

To add an extra twist to the story, the full name of the man behind Samantha was Victor Wynn Johnson, a known con man. This wasn’t just some naif who got carried away, this was a concerted fraud.

And what evidence has been adduced:

  • The IP addresses of Victor and Samantha are identical, according to emails sent by both.
  • The lame joke used on the footer of Samantha’s website - “Most Rights Reserved, Some Are Very Outgoing” is almost identical to the one used on Victor’s old site: “Most rights reserved, a small minority are very outgoing”.
  • Victor Johnson was, of course, the person who purportedly emailed Samantha on day three of her blog to call her a cunt.

All circumstantial, right? But viewed together it’s compelling. Consider the odds that a random guy sends you a (well-timed) threatening email while sharing the same IP address and the same bad taste in humorous footers.

What convinces me, however, is that there is no way on earth the Grubers would have gone so big on this if they weren’t sure. As Amy Jane tweeted

No fucking way. Now, I don’t expect that to convince you. I’m not here to convince everyone. I will say, though, that I felt embarrassed to have been so late to the truth three days ago - I even posted an interview with ‘Samantha’ to the site last week - so I’m at a loss as to how anyone can remain a Bielever now despite not a shred of countervailing evidence from the person purporting to be Bielefeld.

So that’s the timeline. There are a couple of other points I wanted to mention briefly:

There has been some lamentation that the debate over Samantha’s identity has meant we never had the debate over patronage. We did. John Siracusa did a fine job, in Accidental Tech Podcast episode 139, of interrogating the issue with Marco, following up and asking most of the questions I wanted him to ask.

I’m not saying that’s the end of it, but it’s not right to say people immediately moved onto identity issues.

Another point I’ve seen repeatedly made is: who cares what gender she is, she had the guts to raise an issue when no one else dared.

In a post by Alvaro Serrano on this issue today, he says Samantha talked about things “that nobody else was willing to talk about”. That’s demonstrably not true, and it’s why I laboured the timeline earlier.

I raised the issue of patronage before Samantha. Her post was a result (and a partial rehash) of mine. What is true is that she sparked a huge debate while I got nothing but a couple of retweets.
That’s partly down to her bigger audience (though plenty of people read my article thanks to Marco linking to it) and partly it comes from her attempt to work out Marco’s annual podcast revenue. But is there another element. Consider this exchange on Twitter:

As we’ve seen, Tina has already been proven right and it might be worth giving some thought to the reasons for that.

But don’t let Victor conflate any failings in the community or any issues around patronage with his lies and his betrayal. The guy must be genuinely sociopathic to have lived out this fantasy for months and continue it past any point of credibility. To what end? Financial gain? For the attention? He’s promising to post by the end of the week but I wouldn’t expect an honest answer. I’ll hear him out and then move on, I’ve got much smaller things to be outraged about.

Talking Podcasts: Michael Rockwell

In this occasional series I ask people about their podcast listening habits. Previously, David Sparks and Daniel Jalkut have been kind enough to share their thoughts.

Next up is Michael Rockwell.

Michael writes about gadgets, software, and the web - focusing on Apple products - at Initial Charge, founded in 2011. You can also find him on Twitter (@mdrockwell) chatting about podcasts, food, and technology.

Firstly, can you confirm your real name is Michael Rockwell and you’re not a disgruntled woman pretending to be a man for some bizarre reason1?

I can assure you that Michael Rockwell is, indeed, my real name and I don’t have any reason to pretend to be someone that I’m not.

Which podcasts are you currently subscribed to and which are your favourites?

I’m currently subscribed to over thirty podcasts, but the highlights include:
- Accidental Tech Podcast
- America’s Test Kitchen Radio
- Bite Size Tech
- Diagnostics & Usage
- Flip the Table
- The Flop House
- Limitless Adventure
- Never Not Funny
- Roderick on the Line
- The Splendid Table
- The Talk Show
- Top Scallops

Of the bunch, the shows I never miss are Bite Size Tech, Limitless Adventure, and The Talk Show. They all feature intelligent, entertaining hosts and typically discuss the topics that are front-most in my mind — Apple-centric technology news. This is what I spend the most time reading, thinking, and writing about and naturally enjoy listening to others share their thoughts on it as well.

The word “favorite” makes this question a little tough, though. I absolutely love America’s Test Kitchen Radio, The Flop House, and Never Not Funny, but I don’t listen to every single episode. I suppose they could be considered favorites, it all depends on your definition of the word.

How often does this lineup change?

I might find a new show once every 3-6 months, but rarely do I unsubscribe from shows. I have to be in a sort-of purging mentality in order to bring myself to do it and even then I’ll usually continue to stick with shows that I haven’t listened to in months. I’m always afraid that they’ll produce that one incredible episode, I’ll take a single glance at the description, and I’ll just have to listen to it.

What attracts you to new podcasts?

The most obvious is subject matter — I certainly don’t plan on listening to any shows dedicated to a topic I have no interest in. But beyond that it comes down to how entertaining and knowledgable the hosts are. That’s far more important than audio quality, frequency of episode releases, or any other aspect of the show. If the hosts are good, the show is good.

What devices and apps do you use to listen to podcasts?

The vast majority of my podcast listening is done on my iPhone 6s with Apple’s EarPods. Admittedly, they don’t produce the best sound quality, but I’m no audiophile. I also do some occasional listening around the house with my iPad connected to a Jawbone Jambox and while I’m on the road through my car’s auxiliary-in jack.

As far as apps, I use Overcast. I love that it keeps all of my subscriptions and playback positions in sync between my iPhone and iPad and I don’t know how I could even live without Smart Speed. That feature alone has saved me over 125 hours since I started using it when the app launched — it’s truly incredible. I’ve tried other apps in the past, like Castro, Downcast, Network, and even Apple’s own Podcasts app, but nothing even comes close to the fit and finish of Overcast.

Are there certain people you go out of your way to listen to if they guest on other shows?

Merlin Mann, John Gruber, and Shawn Blanc. Their guest appearances are rare, but they’re always worth seeking out.

Podcast adverts - listen or skip?

A lot of it depends on how many times I’ve heard an ad for the company. I skip a lot of Audible, Squarespace, and Casper ads, but if it’s something I haven’t heard of before, I’ll usually listen. The one exception to the rule being Fracture. I almost always listen to their ads, mostly as a reminder to actually buy one at some point.

If you were so empowered, which show would you bring out of retirement?

That’s easy, You Look Nice Today. And it’s not even close.

Thanks to Michael for talking podcasts with me and for bringing a bit of class with the Oxford commas.


  1. My previous interviewee for this slot turned out to a sociopathic fraudster masquerading as a put-upon female blogger in an attempt to garner attention and money. It’s all over our corner of the internet as I write but I’m aware this will sound like a pretty unorthodox opening gambit to people reading, now or in the future, without that context. 

Casto 1.5 and Patronage

That was quick.

Just a few weeks after Overcast went free and some expressed concern over the effect the move would have on the competition, we are already starting to see the fallout.

From today, Castro, the excellent podcast app from Supertop, is following Overcast’s lead and going free with an optional, gets-you-nothing-but-a-nice-feeling patronage model. If you want to give them money, go ahead. If you don’t, you can now get the app completely free.

I asked Padraig Kennedy, co-developer of Castro, if the move was a direct response to Overcast or was planned in advance.

“We were planning to make 2.0 free with some features requiring an in-app purchase. We hadn’t planned it for 1.5 previously but this gives us a chance to get the new model in place earlier and build a community of patrons who’ll be excited about the next big update,” he said.

So why does he think patronage offers a more sustainable future than paid up front or free with In App Purchase?

“Earning a living from an indie app on the store is difficult. Not many people have done it, and those who have don’t often repeat their success, which suggests to me that there’s a lot of luck involved.

“We’re proud of what we’ve achieved with Castro. I think it is well designed, the quality of the software is good and the reception it gets from the community around us is fantastic.

“For patronage to work sustainably, we will need 10,000 active patrons each month. This is a huge number, but it’s no worse than hoping to find an endless stream of new once-off customers.

“There are some good reasons to believe that this model can work. Kickstarter just passed $2 billion pledged, the majority of which came from repeating backers.

"Closer to the podcast world, Radiotopia, a podcast network, appears to be doing a good job of getting patrons signed up to support their work. There are lots of people who are willing to pay a few dollars per month to support things that they love.”

The move, it seems, is also a reflection of the parlous state of App Store economics.

“That it is hard to make it as an indie on the App Store is important context for the whole patronage debate. The move to this model by Marco Arment with Overcast isn’t breaking the market, its because the market is broken already,” Padraig says.

One of the most contentious issues when Overcast adopted patronage was whether developer Marco Arment’s claim that he wasn’t “doing anything that anyone else can’t do” belied a failure to recognise his privileged position.

Padraig doesn’t think so. “I don’t believe that you need to already be a successful blogger, podcaster and have lots of followers on Twitter to have a chance at making it work. This isn’t a perfect comparison, but lots of previously unknown people do well on Kickstarter — why not here too?”

But Padraig isn’t wedded to the patronage model. When I asked him about pricing lessons he’d learned from one of Supertop’s other, even better, app, Unread, he seemed somewhat rueful about the experience and said he expected the next version of the RSS reader would “simply be a paid app because that suits the market better.”

When I wrote about the chilling effect Overcast’s pricing model could have on the market, I had Castro 2 in mind, aware that the Supertop guys have already invested many months in its development. So what does today’s news mean for the next major release?

“We haven’t nailed it down yet. If patronage doesn’t work out as is, then there might be some features that are only for patrons,” says Padraig.

And were they not tempted, now that they’re relatively close to Castro 2, to wait for the big payday that comes with charging for a new version, a la Tweetbot 4?

“ We’re tired of it,” said Padraig. “Watching the curve decay rapidly after the first few days is depressing. We want to get to a sustainable, growing, revenue curve, not one big spike every 18 months.

“I don’t know if the patronage model will be viable for Castro, but I’m the most excited that I’ve been for years about our chances. I look forward to the next few months.”

I still worry that relying on people to voluntarily give you money for an app they can legitimately get for free is the preserve of the established. The Kickstarter example proffered by Padraig isn’t persuasive because the vast majority of backers give money in exchange for something - normally the product - that they can’t otherwise get for nothing. If you could pledge zero dollars to a Kickstarter and get still get the thing, I think the entire endeavour would collapse in a day.

I am, however, receptive to Padraig’s point about App Store economics. If patronage is the only model that provides a sustainable income to developers to allow them to continue making the apps we enjoy using so much, perhaps we have no choice but to accept it, despite the dissuasive effect it will have on new people looking to enter the market.

This is not the version 2 you are looking for


The pricing changes today coincide with the release of Castro version 1.5, disappointing those of us hoping to see the all-new version 2 around about now.

The changes in this version are nice: 3D touch throughout, Spotlight integration so all your podcasts and their back catalogues can be found through system search, and implementation of the Safari View Controller.

For current users, these will be welcome additions but they’re not enough to pull me back from Overcast. Castro certainly has some advantages, particularly in subscribing to new shows - which remains an embarrassing shitshow in Overcast - but going back to it after a year away, Castro’s stark aesthetic hasn’t dated particularly well to my eyes.

There’s still no playlists either and having to change settings for each show individually, rather than being able to do it in bulk, is a ball ache. That’s why I’m excited to see a more radical update in 2.0.

In the last few days of using Castro, I haven’t found much use for the headline features of 1.5. I’d much rather have peek and pop in Unread but, sadly, it seems we’re in a for a long wait on that. Padraig tells me Unread won’t be getting any attention until Castro 2 ships. That’s a shame, because it’s something I’d happily pay for.

The iPad mini 4

Phil Schiller’s introduction of the iPad mini 4 in Apple’s September event could only have been more dismissive if he had, instead, run a pre-shot video of him using one in a public toilet to wipe his dirty arse. It’s fair to say the smallest iPad is not a priority for Apple.

But at least they gave it a proper update this year. Last year’s paltry addition of Touch ID was like putting a fingerprint sensor on a pig. For people like me, who loved their mini but despaired at how slow it was, it was a real disappointment.

I ended up buying an iPad Air 2 (cue high-fives in the well-staffed up-selling department at 1 Infinite Loop). For me, the Air 2 crossed a tipping point into finally being light and thin enough to be truly portable. I greatly enjoyed my year with it.

But, despite my best efforts to resist, I couldn’t resist going back to the smaller tablet. The key difference is back-pocketability. With kids to carry around the house, being able to safely slot the mini in my back pocket means I have it with me much more than is possible with the Air.

I’ve had it for a few weeks now and wanted to share some of my thoughts.

Firstly, the actual iPad now comes wrapped in a weird, matte, translucent plastic in the box. Gone is the clear plastic cover which felt less cheap.

It’s obviously thinner and lighter than its predecessors but that’s not without its problems. The thinner edges are shaper, which makes it more uncomfortable to hold for any period. The old minis were starting to feel a little fat so the diet was needed but those ugly chamfered edges really dig in.

The screen is noticeably better, especially the colour reproduction. It doesn’t, however, hold a candle to the iPhone 6s screen.

The biggest surprise for me has been how slow it feels. It’s faster than the minis 2 and 3, yes, but it’s a slouch compared to the Air 2 and the new iPhones. Sliding down on the home screen to bring up the search bar is noticeably laggy. The whole thing just seems to be struggling to keep up with pretty basic tasks most of the time.

Slide Over and Split View are great, even on the smaller screen. They’ve been a real boon for basic multitasking and I use them a lot.

Touch ID is dog slow. People who complain about the new iPhones’ fingerprint sensor being too fast are crazy. The faster the better. Unfortunately the mini 4 is stuck with v1 of the sensor and it pains me every time I unlock.

Genuinely the worst thing about the mini 4 is the lack of a physical rotation lock button. This is my least favourite trend in iPad design in recent years. On my phone I have the rotation lock on 99% of the time but on my iPad I turn it on and off a dozen times a day. Swiping up the Control Centre is a chore. If Apple really want to up-sell me, they could charge an extra $100 for a version with a switch on the side.

Finally, I feel obliged to mention the woeful 16GB of storage that comes with the base model. I use the iPad almost exclusively for reading - Instapaper, Twitter, RSS, Kindle, a couple of magazines. Even these quotidian needs require me to manage the storage or I’ll run out. It’s a bad experience and I expect better from Apple.

Overall, I’m enjoying the new mini, though that’s largely because the form factor suits me and the most egregious issues with the previous versions have been dealt with. However, the headline improvements, particularly the internal spec bumps, don’t make much difference at all (except, I suppose, to facilitate the multitasking).

In all likelihood what we have now is the iPad mini for the next 18 months or so. As it stands, it’s a solid device but by the time the next substantial update is being introduced (in a press release on a Friday night?) sometime in late 2017 it’s going to be creaking. There’s not a lot of headroom here.

Pricing as an “unnecessary barrier”

I’ll try and keep this short.

After I expressed concerns about Overcast’s new pricing model, app developer Marco Arment wrote a response of sorts, defending the decision.

Marco’s a smart guy and a good writer but, I have to say, I found his post evasive, confusing and, in places, disingenuous. It did little to answer the basic question I tried to pose: does making Overcast entirely free undermine the podcast app market that Marco previously seemed determined to safeguard.

Marco starts his response by trying to frame my intervention as some belated hack job, in line with what he had expected when he initially launched Overcast:

I finally got the pushback I expected last year. Here’s Michael Anderson, “not quite” accusing me of “predatory pricing”

The pushback didn’t come last year because putting your best features behind a $5 paywall isn’t close to predatory pricing. Completely free is.

In attempting to downplay the importance of Overcast, Marco disingenuously evokes Apple’s podcast app:

… which is completely free, comes preinstalled on every iOS device, and enjoys special privileges like iTunes sync and hardcoded placement at the top of App Store search results for “podcast” and “podcasts” despite being preinstalled?

I say disingenuous because back in 2011 when Apple shipped a free, preinstalled, hardcoded, special-privilege-enjoying competitor to Instapaper in the form of Reading List in Safari he said:

If Reading List gets widely adopted and millions of people start saving pages for later reading, a portion of those people will be interested in upgrading to a dedicated, deluxe app and service to serve their needs better. And they’ll quickly find Instapaper in the App Store.

My post was explicitly in the context of those “deluxe apps”. Apple’s podcast client will always be the dominant player in this field, but it will also always be comparatively limited. What market is there for third-party alternatives? That’s what we’re talking about and he knows it.

But to get to the meat of Marco’s rebuttal. He says:

I’m not doing anything that other developers can’t do

I find that deeply disingenuous. Of course other developers technically could offer their app for zero money and solicit voluntary donations but they would, probably without exception, go bust. It certainly isn’t a viable model for some unknown developer thinking of making their first foray into the App Store.

Then we start to see Marco’s real motivation:

Nobody is entitled to keep their market share, including me. It’s a constant battle to get and keep customers in a crowded market, and I need to ensure that I don’t fall behind.

Ok, so this is about shoring up Overcast’s market share. That’s fine, but it doesn’t exactly refute the predatory pricing accusation does it?

Marco then launches into a weird, scaremongering section about “Big Money” coming to take over the podcast market.

They’re coming with shitty apps and fantastic business deals to dominate the market, lock down this open medium into proprietary “technology”, and build empires of middlemen to control distribution and take a cut of everyone’s revenue.

This bogeyman - in all likelihood illusionary given Apple’s dominant role in podcasting and its embrace of open standards - is used as cover for his new pricing model.

With those challenges on the horizon, this is the worst time for the indie-podcast world to put up any unnecessary barriers

By ‘unnecessary barriers’ I can only assume he means: charging money. Ok, but how do I make a living if I can’t charge for my app.1

Then, at last, here’s the rub:

As long as I can make money some other way, I’m fine.

No doubt. One thing I’m definitely not arguing is that the new model is bad for Marco Arment. I was asking about everyone else.

Marco’s closing is a head scratcher.

Predatory pricing is setting the price so low that competitors can’t match it, by making yourself lose money until they all go out of business… But I don’t need to do that. Patronage works. I may be taking a pay cut for a while, but it’s still very profitable for an individual.

Losing money as a vendor is not a prerequisite of predatory pricing. Marco links to Wikipedia, which defines it as:

a pricing strategy where a product or service is set at a very low price, intending to drive competitors out of the market, or create barriers to entry for potential new competitors.

I’m sure Marco has no intention of causing either of those outcomes but the question I was driven to ask was whether they would be the unintended consequences of his actions. His response leaves me none the wiser on his opinion.

Finally, let me be preemptively clear on a few points: Marco can price his app however he likes and Marco is perfectly entitled (expected, even) to put his best interests ahead of everyone else. The only reason I raised the question is that Marco has been so outspoken about being a good citizen when it comes to the podcast fraternity.

As he said when he launched Overcast:

The whole podcast medium is a pretty small community relatively, so it doesn’t make sense to do crazy poison-the-water kind of things in this small, well-meaning community.


  1. Some responses on Twitter assumed I was a bitter, competing developer motivated by sour grapes at being outfoxed by Marco. I have never written a line of code in my life. I have no stake in this game other than I love podcasts and I’d like there to be healthy competition in the podcast app market. 

Overcast’s not-quite-predatory pricing

Overcast 2.0 is out and it’s completely free. No more paywall.

Great news, right? Everyone likes free stuff. And Overcast is a fantastic app.

But imagine you’ve been working on Castro 2 for the last year, betting the company on a big launch and a sustainable income. Imagine you’re a developer with an idea for a podcast app so revolutionary the app icon doesn’t even contain an allusion to a radio transmitter.

Where, now, is the market for those apps? How can you possibly expect to gain any traction against high-quality, entirely free alternatives?

People are quick to lambast big games developers for racing to the bottom, for devaluing software or otherwise adopting pricing models that independently-financed developers just can’t compete with.

Here, to my mind, we have something similar and the commentariat is mute.

Of course, Overcast developer Marco Arment is himself is an independent one man shop, but he’s also a multi-millionaire off the back of the Tumblr deal. That personal wealth allows him to make decisions others can’t. If he never made a single penny from Overcast he probably wouldn’t continue development, but he certainly wouldn’t starve.

His competitors, however, likely don’t have that luxury.

Predatory pricing is a pejorative term, inflammatory even, and I’m certain Marco is nothing but well-intentioned here. But the effect is the same.

When Marco first unveiled Overcast, he made clear that one of his prime objectives was to safeguard the third-party podcast app market from proprietary takeover by the likes of Stitcher. But this latest pricing move will surely have nothing but a deleterious effect on the viability of potential competitors, putting at risk the very kind of apps he sought to protect.

Manjoo’s Moment

Farhad Manjoo’s writeup of Twitter’s new Moments feature is confusing.

His initial pitch:

Perhaps most importantly, the new feature shows the company inching toward something that has eluded it throughout its troubled history: a reason for being. … Twitter is finally offering a simple, compelling case for the service’s mainstream utility. As seen in Moments, Twitter is the one place to find out exactly what has been happening in the world very recently.

Really? So, until today there was absolutely nowhere to keep up with recent world events? What about, you know, Twitter or the New York Times?

But even putting aside the hyperbole, Manjoo undermines his own characterisation of Moments later in the same piece when he says:

One final thing to notice about Moments is its laid-back pace. Twitter ordinarily moves at warp speed — you look at the timeline to see what’s happening right this second, and anything more than a few minutes old disappears under the incoming tsunami of tweets. Moments, by contrast, feels slow; when you load up the main tab, you might see a headline from three or four hours ago, an eon in Twitter time.

Rather than being the “the one place to find out what has been happening”, Moments will be like a thousand other aggregation sites, cribbing the best tweets after the fact.

Far from providing Twitter with a reason for being, Moments is an obvious me-too feature that does nothing to overcome the fundamental problems that stand in the way of greater active user engagement: who to follow (not just a list of the same old celebrities) and how to gain an audience big enough to make posting worthwhile.